David Olney plays Sad Saturday Night, a song from ‘BEAT THE RECORD” that I cowrote with him and John Hadley and recorded at Hadley’s cabin in Nashville. There will also be a version of it on David’s new album “When The deal Goes Down” http://www.youtube.com/watch?v=ZoQbuzxum4I
News/Blog
New album: Beat The Record
Ad Vanderveen’s new CD “BEAT THE RECORD” has been released on March 1 2014.
It’s a collection of twelve songs penned over the past two years, recorded in an acoustic solo setting.
This time Ad followed his muse so quickly and directly that his original demo recordings overtook the process of record making.
The CD contains nine new original AV songs and three co-writes with Nashville natives David Olney, John Hadley and Thomm Jutz.
Honoring timeless folk tradition, Ad focuses on the songs and their content, with arrangements and production left sparse.
“A lot of the songs have to do with deepening personal philosophical and spiritual insights. This is an ongoing process and I like to think it’s where I grow and come home.
It involves themes like love and loss, despair and hope, melancholia and humor, things we all know and move through”, says the 57 year-old singer-songwriter.
Asked about how BEAT THE RECORD came about he explains:
“I had plans to go to Nashville to cut this record and started out recording the songs for myself first to see what I had. These recordings worked so well to my ears that the studio plans got side-tracked. The whole usual process of record making was bypassed, so to speak. These takes reminded me of casual and unposed pictures and doing it again would feel like a reproduction.”
BEAT THE RECORD is Vanderveen’s 20th CD release since he started out as a solo artist in the early 1990s. His songs have garnered him high praise from fans and critics all over the world and won him loyal audiences, both in the old world and the new.
NEW AV RELEASE “BEAT THE RECORD” MARCH 1, ORDERS ON CD PAGE NOW!
Ad Vanderveen releases a diptych of live authorized bootlegs
Spring 2013- Ad Vanderveen releases a diptych of live authorized bootlegs:
“LIVE AT CROSSROADS” is a solo performance for Crossroads Radio, a roots and Americana station in The Netherlands. In an intimate theatre show Vanderveen features songs from his critically acclaimed 2012 CD “Driven By A Dream”, as well as older favorites. The solo setting makes for intense deliveries, focusing on the content of the songs in a relaxed interaction with the audience. Accompanying himself on acoustic guitar, harmonica, footstomp and piano, Ad moves between sensitive songs, uptempo pieces and piano ballads. Sit back for this one and enjoy an evening of pure and honest acoustic music.
“LIVE LABOR”, the sequel and counterpart to “Crossroads”, shows another side of Ad Vanderveen in a rocking show with his long-time garage band The O’Neils. On tour in Germany in the spring of 2013, Ad and his band rip through an energetic set of songs, old and new, propelled by an enthousiastic audience. Alongside compact song versions there is plenty of electric guitar improvisation and frenzied jamming on themes like “Well Of Wonder”, “Water Under The Bridge”, and the new and previously unreleased “The Abyss”. Get into a sweaty trance for this one and turn it up!
Introducing the new AV & THE O’NEILS Live CD: “LIVE LABOR”
A sequel and counterpart to the lately released “Live At Crossroads”
Where “Live At Crossroads” is an intimate acoustic solo performance,
“Live Labor” captures the rocking electric and improvising band spirit.
This is a diptych of authorized bootleg soundcarriers, high-quality live recordings in a limited edition.
“Live Labor” tracklist:
1 Time Has Told 4.15
2 Driven By A Dream 4.20
3 Days Of The Greats 4.12
4 Wouldn’t That Be A Shame 4.20
5 Water Under The Bridge 12.43
6 Will And Testament 3.54
7 Satisfied 7.09
8 Well Of Wonder 10.43
9 Soul Power 10.00
10 The Abyss (new/unreleased) 10.01
Live Labor belated liner notes (pdf)
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Live At Crossroads
AD VANDERVEEN – LIVE AT CROSSROADS
The CD features a live solo performance recorded for Crossroads Radio, a Roots/Americana show hosted by Jos van den Boom in Bergen op Zoom, the Netherlands.
It is a high quality recording (thanks to Kees Aerts) with a fine selection of repertoire.
The tracklist reads as follows:
1 The Long Way Round
2 Faithful To Love
3 Uphill
4 Driven By A Dream
5 Rest In Peace
6 Wouldn’t That Be A Shame
7 The Moment That Matters
8 Cloud Of Unknowing
9 To Say I Love You
10 Good Mourning
11 Will And Testament
12 New World In The Morning
13 Calm Before the Storm
14 Well Of Wonder
15 Soul Power
This is a limited run for fans and followers only, no regular release or download.
Review “Driven By A Dream” by Paul Collins, Maverick Magazine UK, May-June 2013
AD VANDERVEEN
DRIVEN BY A DREAM****
A craftsman at work
What beautiful songs this man writes and together with the support of some stellar musicians, he is not bad at putting them across either. Vanderveen is now in his mid-50s and although a relative newcomer to the music scene, he even called one of his record releases LATE BLOOMER, he now has a back catalogue of 20 albums and he seems to just get better and better.
These days Ad confines most of his gigs to Holland but fitted in this recording at the famous. and long established Rockfield Studios in Monmouth during some wider European dates early in 2012.
The rocking numbers are good tempo and clearly sung . The relatively mild, as rockers go, Uphill gets thing s going and the driving Wouldn’t That Be A Shame comes in at track five and in between, there is the inspirational title track and the first of two close harmonies with Kersten de Ligny. The blissful Rest In Peace is probably my highlight of the album but there is just so much good material here, as exampled by the other track featuring de Ligny; the poignant expression of love Will And Testament.
The country flavoured Time Has Told and Calm Before The Storm are well worth seeking out; the first the tale of the early struggle to bring up a family and then a graphic tale of living in constant fear for your safety and not being in control of your own liberty. The only one of the eleven songs here that Vanderveen did not write is the closing number; Bob Dylan’s When I Paint My Masterpiece. A quite old song first performed by The Band and then fairly regularly by The Grateful Dead and after the exposure of last year’s New York exhibition of Dylan’s paintings inspired by his recent travels, as very close to a set of quite famous photographs by Henry Cartier Bresson, such thoughts are perhaps now seen as wishful thinking by Dylan.
There is purity to Vanderveen’s songs and indeed his delivery of them. It is honest, emotional and personal music. Ad is half Canadian Dutch so I guess that Americana and roots are in his blood and he is apparently embarrassed by comparisons to his idol Neil Young, but whatever label you use for his music this is a delightful album.
By Paul Collins, Maverick Magazine UK, May-June 2013
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